Different animation directors’ take on Bunny. Toshimizu Kobayashi (eps 1, 10 and 14) is our favourite. You can find all the animation directors listed on ANN’s Tiger & Bunny page.
Update: Another Bunny chart (thanks to frice!).
Different animation directors’ take on Bunny. Toshimizu Kobayashi (eps 1, 10 and 14) is our favourite. You can find all the animation directors listed on ANN’s Tiger & Bunny page.
Update: Another Bunny chart (thanks to frice!).
I think it’s safe to say that the Tiger & Bunny only doujin event GO NEXT! that was held yesterday has confirmed that this is no longer just an anime. This is a phenomenon.
These are just shoppers queueing to get in to the venue of the event. Aki pulled this picture from a Japanese blog where people were joking about how queueing requires Kotetsu’s endurance. Reports say that catalogs (which also act as tickets to the event) were sold out in advance, and many circles sold out before the end of the event all the shoppers even managed to get in. (See comments for more on this.)
Of course events like this are just one way to measure popularity, but you have to take into account that just about all merchandise is selling out on preorders weeks or even months before they’re released. Figure preorders sell out in minutes. Aki talked to her Japanese friend who estimated that Tiger & Bunny is starting to hit the same level of popularity as series like Durarara!! and Hetalia which have been around for years. Tiger & Bunny is also extremely popular among 25-40 year old females.
The overall response to episode 16 has also been amazing. People who joked about Lunatic are apologizing now and joking about him isn’t cool anymore in general. Everyone seems to want Kotetsu and Barnaby to just be bros and hug it out and everything will be fine.
Director Sato, whatever you are doing, you are doing it so right that no one can keep up. Please don’t stop.
Since there’s a small uproar about Kotetsu making this list of bad anime parents on ANN, I wanted to add my own two cents to the mix. This was supposed to be a part of the post I’m writing on Kotetsu, but I’m not gonna post that until next episode has aired.
This topic is brought up every now and then and many people diss Kotetsu for being a bad parent and never seeing his daughter. Personally, I disagree. He keeps constantly in touch with Kaede and tries to be a part of her life even though his work always gets in the way. Also, I think there’s a little cultural clash going on here. I can speak only from my own experience of the time I lived in Japan, but it’s still fairly common that fathers have to stay away from their families because of work. It’s not because they’re bad parents, it’s the Japanese work culture, and they’re still providing for the family. Coming from a Western background I had some trouble coming to terms with this and how for example the mother of my host family was fine with her husband working abroad for months at a time (in fact, I only met him once during my stay). Kotetsu is living in a situation that the original target audience – 40 year-old males – he was designed to appeal to is familiar with. He obviously cares about his daughter very much, but his work as a hero is also important to him, and it’s his way to provide for her and keep her and the world she lives in safe. All the times Kotetsu has missed the meeting with Kaede have been because of situations beyond his control. It doesn’t justify that he’s had to let her down so many times, and it’s hard for Kaede to understand why her father keeps doing it when he can’t tell her about his job. But Kotetsu tries his best with what chances he has and you can tell he wants to see his daughter more often.
This was also mentioned in the partially cut out section of the interview where producer Tamura talked about Kotetsu’s brother. The bits we could read said that Kotetsu fears Kaede might be attacked by people holding a grudge against him, and having her live with him would put her in direct danger. He wants Kaede to stay away from all the hero business.
I think that the person who compiled the list has failed to understand Kotetsu’s character. Not to mention putting him on a list of “parents you’d call the child services on” is sending a totally wrong message. Would you like to have had child services called on your parents when they had to work hard to provide for the family when you were a child? There’s no indication that Kotetsu’s actually making a lot of money despite his popularity having gone up after teaming up with Barnaby.
This is my personal opinion and you are free to disagree with me. My thinking may be a bit more mature since I fall into the original target audience age-wise, and even though I don’t have children of my own, most of my friends and all my siblings have children. Parents sometimes have to make hard compromises for the good of their children, decisions that may be difficult for the children to understand but those decisions don’t make them bad parents.
Before I say anything else about this episode, I just wanted to say that Keiichi Sato (director) and Masafumi Nishida (screenwriter) are amazing. The characterization, relationships and the issues Tiger & Bunny tackles and the way it is done are just incredible. We can’t remember seeing anything like this in an anime before and not even many live action dramas go this deep. The more we get into the characters and their motives the more our mind is blown. If anyone can pull this series through to a good ending, it’s these guys. And they’re turning Tiger & Bunny into a masterpiece. You have our trust, keep on rocking.
I made a separate speculah post last week, but it’s not gonna work this time. There’s simply too much stuff packed into this episode, not to mention dropping the bomb on Lunatic’s backstory.
16. Truth lies at the bottom of a well.
-真実は井戸の底にある-
Not sure if someone’s translated this before, but we decided to do it anyway. This little gem of a video is packed full of things hidden in the first 12 episodes. Translations by Aki_the_geek.